Although fearsome and powerful, dragons are equally considered just, benevolent, and the bringers of wealth and good fortune.

The dragon is also considered a who can assume human form and mate with people.

Improvisation, or at least its quality of spontaneity and unlimited choice, is incorporated.

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Japan's dragon lore comes predominantly from China.

Images of the reptilian dragon are found throughout Asia, and the pictorial form most widely recognized today was already prevalent in Chinese ink paintings in the Tang period (9th century AD).

The Wind Music of Donald Erb Drawing Down the Moon University Circle Wind Ensemble, Gary Ciepluch; Stuart Dempster, trombone; Ross Powell, clarinet; Jan Gippo, piccolo; Kirk Brundage, percussion Donald Erb’s mature style—encompassing elements of jazz, electronic music and serialism within traditional forms—is captured on this recording of five wind ensemble and chamber works dating from 1971 to 1991.

When asked what he tries to achieve through his music, Erb responds, “the clarity of classical music, the passion of romanticism, and the freedom of jazz.” That succinct response pretty much captures the essence of these angular pieces, scored for winds, brass and percussion, unmollified by strings.

Most Japanese Zen temples, moreover, have a dragon painted on the ceiling of their assembly halls. Dragon, Ceiling Painting at Tenryū-ji Temple 天龍寺, Kyoto. The four, known as the Four Celestial Emblems, appear during China's Warring States period (476 BC - 221 BC), and were frequently painted on the walls of early Chinese and Korean tombs to ward off evil spirits.

The Dragon is the Guardian of the East, and is identified with the season spring, the color green/blue, the element wood (sometimes also water), the virtue propriety, the Yang male energy; supports and maintains the country (controls rain, symbol of the Emperor's power).The Guardian of the South, the Red Bird (aka Suzaku, Hō-ō, Phoenix), is the enemy of the dragon, as is the bird-man Karura.Actually, the Phoenix is the mythological enemy of all Naga, a Sanskrit term covering all types of serpentine creatures, including snakes and dragons.These traditions were adopted by the Japanese (Buddhism did not arrive in Japan until the mid-6th century AD).In both China and Japan, the character for "dragon" (龍) is used often in temple names, and dragon carvings adorn many temple structures. This ceiling painting was first created in 1899, and restored in 1997. Drawn on Japanese paper attached to ceiling plates (tiles). Tenryū translates directly as “Heaven Dragon.”In both Chinese and Japanese mythology, the dragon is one of Four Legendary Creatures guarding the four cosmic directions (Red Bird - S, Dragon - E, Tortoise - N, and the Tiger - W).This is merely a general description and does not apply to all dragons, some of which have heads of so extraordinary a kind that they cannot be compared with anything in the animal kingdom.