The Guardian of the South, the Red Bird (aka Suzaku, Hō-ō, Phoenix), is the enemy of the dragon, as is the bird-man Karura.

Actually, the Phoenix is the mythological enemy of all Naga, a Sanskrit term covering all types of serpentine creatures, including snakes and dragons.

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Most Japanese Zen temples, moreover, have a dragon painted on the ceiling of their assembly halls. Dragon, Ceiling Painting at Tenryū-ji Temple 天龍寺, Kyoto. The four, known as the Four Celestial Emblems, appear during China's Warring States period (476 BC - 221 BC), and were frequently painted on the walls of early Chinese and Korean tombs to ward off evil spirits.

The Dragon is the Guardian of the East, and is identified with the season spring, the color green/blue, the element wood (sometimes also water), the virtue propriety, the Yang male energy; supports and maintains the country (controls rain, symbol of the Emperor's power).

The Wind Music of Donald Erb Drawing Down the Moon University Circle Wind Ensemble, Gary Ciepluch; Stuart Dempster, trombone; Ross Powell, clarinet; Jan Gippo, piccolo; Kirk Brundage, percussion Donald Erb’s mature style—encompassing elements of jazz, electronic music and serialism within traditional forms—is captured on this recording of five wind ensemble and chamber works dating from 1971 to 1991.

When asked what he tries to achieve through his music, Erb responds, “the clarity of classical music, the passion of romanticism, and the freedom of jazz.” That succinct response pretty much captures the essence of these angular pieces, scored for winds, brass and percussion, unmollified by strings.

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Although fearsome and powerful, dragons are equally considered just, benevolent, and the bringers of wealth and good fortune.

The dragon is also considered a who can assume human form and mate with people.

The Dragon has the head of a camel, horns or a deer, eyes of a hare, scales of a carp, paws of a tiger, and claws resembling those of an eagle.